Disclaimer: The following is fiction. The story’s content does not represent the writer’s beliefs, opinions, or attitudes. This story is intended for adult entertainment only. The characters and events depicted in this work are fictional. The author does not condone or promote unlawful activity as the story describes. By continuing to read this work, you acknowledge that you are an adult who wishes to read works of fantasy and fiction for the purpose only of fantasy. All the characters in this story are adults. They may play different ages for the fictional character they are depicting, but they remain, at all times, adults.
Writer: lost_in_lust
Important Note: This story is the continuation of THE CEREMONIAL DELIVERY: A GRADUATION OFFERING – CHAPTER 1. I initially intended to write several chapters of the single story. But after thorough reflection, I decided to write separate stories, mainly because “A GRADUATION OFFERING” pertains to that particular first story, and not to this one and the other ones that will (hopefully) follow.
Subject: SATANIC DEVOTION AT THE GREAT TEMPLE 2
Story Codes: Erotic Horror, Satanism, Occult, Black Mass, Young Ones, Snuff
Author’s Notes: The prequel to this story took place in the Great Temple of the metropolis of a remote country whose state religion is Satanism. We are witnessing the second part of a monthly High Mass in the immense place of worship, where hundreds of devout worshippers of Satan have gathered under the leadership of the local High Priestess. After the High Priestess offered a newborn girl—just cut from her mother’s womb with the sacred knife—as a burnt offering to Satan, the ceremony continued. If you haven’t read that prequel, I recommend doing so to fully understand the context of this one.
Link (check here): THE CEREMONIAL DELIVERY: A GRADUATION OFFERING – CHAPTER 1.
Satanic Devotion at the Great Temple
The Great Orgy
Once the sacrifice to Satan is complete, the High Priestess begins the second part of the ceremony — the ritual of the Great Orgy, scheduled to last for hours until late into the night.
The Great Orgy always takes place right in the center of the immense temple, on the black marble floor decorated with a huge inverted pentagram, associated with the head of Baphomet.
This large central area is surrounded by tall bronze statues representing dominant figures from the Dark Lord’s Universe, the Princes of Hell, such as Abaddon, Amaymon, Asmodeus, Astaroth, Bael, Baphomet, Barbelo, Beelzebub, Belial, Belphegor, Cerberus, Dagon, Dispater, Levistus, Lilith, Leviathan, Mammon, Mephistopheles, Merihem, Mundus, and Phytius, to name a few.
In most cases, Lucifer’s followers devote themselves to one of these sacred figures in particular, though always under the supreme sacred dominion of Satan. Each sculpture is enshrined in its own side chapel (oratory), with the collection of oratories forming the surrounding wall of the large central plaza.
The leaders of each oratory have complete freedom to manage it as they see fit. In some cases, a massive black velvet curtain covering the entire height of the vast central room is drawn all around the oratory to conceal from ordinary mortals what takes place within. In fact, it sometimes happens that wealthy families reserve an oratory to use as a private place of worship to their specific prince/princess of Hell, set aside exclusively for them for a certain period. This is a way for the authorities of the Sacred Temple of Satan to enrich their coffers.
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That day, after the ceremonial childbearing, the dozens of slaves assigned to the practical “management” of the cult and the temple went about their business. Thus, a handsome Black slave with the body of Adonis came to fetch the fat, obese slut who had been enlisted to hold the mother — ready to give birth — firmly in place in the first part of the High Mass. He puts her slave collar on and lifts her firmly off the throne where she had been continuing to ass-fuck herself on the metal phallus. After securing the long chain of the leash, he forces her to follow him, on all fours, toward the “servants’ quarters” at the back of the temple.
The obese woman is still in shock following the cruel delivery of the baby by the High Priestess. Her whole body is still trembling, and she is dazed. But, accustomed to submission, she hastens to follow her handler on all fours, her flabby flesh swaying from side to side across her plump body.
Once in the back, the black slave leads her to the communal shower and then to her stall, where she spends most of her days lying on hay. The barn contains about twenty similar stalls where various humanimals — males and females — are penned, each destined for different functions. The fat woman, for her part, will be impregnated and exploited for her milk, with two milkings a day. She will fully fulfill her role as a hucow. The stud assigned to her will be presented to her on the first day of her fertile period, under the supervision of the manager of the Sacred Barn.
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Meanwhile, another black slave is busy cleaning the altar. Now that the newborn’s remains have been completely reduced to a skeleton in the Sacred Bowl, they are taken to the temple workshops (it takes two slaves to carry the large granite bowl and its contents).
A highly experienced and skilled slave is assigned to process the human remains. In this case, all the bones of the small body are separated from one another, placed in a bath of acid, and then carefully cleaned. The result is a motley collection of small, medium, and large bones. It is common practice to use the bones as relics, which are sold to the faithful as they leave the temples, at different prices depending on their size.
The proceeds help fund Luciferian communities throughout the country. In this case, the High Priestess has instructed that the small skull of the sacrificed baby be preserved and given free of charge to the family of the young sissy acolyte who served during the first part of the ceremony. The same will be done with the pelvic bone of the dead baby, which will be given, also free of charge, to the family of the young female acolyte. This is to thank them for their great contribution to the life and advancement of Satanism in their community. The precious relics will be treasured by these privileged families.
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In the large central area of the Sacred Temple, the Great Orgy is in full swing. The High Priestess, accompanied by her two young acolytes, wanders among the faithful, who are feverishly immersed in their debauchery. Bodies glistening with sweat are entwined, and cries and moans ring out throughout the Sacred Temple, its atmosphere thick with incense and death metal music.
The High Priestess orders her acolytes to take part in the feast of lust. She knows that the students enrolled in the Children of Satan program are trained to be as community-oriented as possible. The faithful must realize that members of the clergy are part of the worshippers of Satan and his Princes — in their acts as much as in their prayers. They are part of the privileged crowd of Satan’s worshippers.
The central area of the Sacred Temple is packed to the brim. But the crowd of devout worshippers consists almost entirely of wealthy families and individuals. This is because a very high admission fee must be paid. Consequently, no members of the lower class are to be found in these places. The crowd is very diverse: parents with their children of all ages, lesbians and gay men, goths, masters and mistresses with their slaves on leashes — who are often children.
The parents of one family lead their eight-year-old daughter on a leash as she crawls on all fours beside their off-leash female pit bull, which they consider their legitimate daughter, ranking higher than their biological daughter. They fight to secure a spot in the very front row so that their little girl can strengthen her faith in Satan. We even see a mother cradling her newborn son at her breast, whom she intends to offer in sacrifice to Her Dark Lord Satan later during the orgy.
Many are completely naked; others are dressed in very kinky outfits, with sky-high stilettos and catsuits of every color. There are numerous effeminate twinks. A great number are tattooed, pierced, and branded. Anything goes — they’ve paid a high price.
The High Priestess’s sissy acolyte has let himself/herself be taken by the throat by a very muscular young man in his early twenties. His/her lover of the moment lifts him/her up in front of him, spreads his/her thighs and violently anally penetrates him/her, without warning. The sissy moans with both pain and pleasure, possessed as he/she is by his/her powerful captor. Already bathed in ecstasy and lust, the effeminate nine-year-old boy goes so far as to scream …
“Ah, my love, fuck me, fuck me hard!”
So much so that the treatment he/she is receiving in his/her intestines suddenly triggers uncontrollable, watery diarrhoea, which escapes through his/her ass around his/her fucker’s thick penis. The brown liquid oozes onto the scrotum and thighs of the stud who’s pounding the sissy, more and more profusely, with the smell to boot.
“Slut, clean that up!” commands the stud.
“Yes, Master!” replies a completely naked fifty-eight-year-old MILF, who had been busy licking his feet.
In fact, they are mother and son, and he has been enslaving her since his early teens. The slut mother — whose enormous, sagging breasts hang down to her waist — immediately drops to her knees. Totally devoted and subjugated, she licks the young sissy’s liquid feces off her son-Master’s scrotum and thighs while he continues to sodomize his young prey. She redoubles her obedience, moaning with pleasure and greedily swallowing the pungent liquid, her face and mouth covered in brown. She loves obeying her son-Master, who has thoroughly tamed her since the death of her husband, who was her previous master.
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Lilith
In front of the shrine dedicated to Lilith, a BDSM performance greatly pleases the High Priestess. A stunning woman in her thirties lies face down, naked, except for her fuck-me pumps, with her limbs spread out on a cross, while four of her seven children — all girls, the boys having been eliminated at birth in sacrifice to Lilith — hold her wrists and ankles firmly in place. The girls, aged twelve to seventeen, are also naked.
This extremely masochistic mother, a worshipper of Lilith, is being whipped by her sadistic sixteen-year-old wife, who is fully clad in a black latex catsuit and wearing black stilettos with one-hundred-and-fifty-millimetre platforms. The whip has been cracking against the lesbian mother’s back, and more and more violently, for several minutes now.
Whip marks and welts pile up on the wife and mother’s back and buttocks, which both already bear the imprinted brand of the sixteen-year-old wife, a beautiful stylish M. It isn’t long before blood begins to ooze, which excites all the attendees, including the victim’s daughters, the depraved crowd gathered in front of the stage in the center of the oratory, and, of course, the High Priestess.
Only then, when blood oozes from the wounds all over her body, the young dominatrix, fully clothed, comes and stretches out fully on top of her partner; she wriggles about, wiping away the blood, and offers a resounding, fiery prayer of thanks to Lilith(*), while the young girls lick their mother’s lover all over her body and suck on her high heels:
(*) Hail Lilith, Queen of Hell, Mistress of the night. First woman, Untamed by any man. She who refused subservience, Eternal symbol of feminine power. Ancient, wise, and powerful. Ruler of Your own destiny.
Hail Lilith, Queen of Hell, Mistress of the night, Embrace me in Your ebony wings. Accept my devotions. Accept my prayer. Guide me upon my path. Bless me with Your knowledge. Teach me to walk in my own darkness And find ecstasy there.
Hail Lilith, Queen of Hell, Mistress of the night, I honor thee, and I honor Thy name.
The High Priestess can’t resist.
“Come here, you little bitch, come masturbate your priestess,” she commands her eight-year-old acolyte girl, who was accompanying her as the opening act for the baby’s sacrifice. “I want to come, I want to scream out my love and devotion to Lilith, my love and devotion to Lucifer!”
The High Priestess doesn’t take long to climax at the sight of Lilith’s adoration. The young acolyte, kneeling at her feet, finishes licking and eating her pussy. She adores the High Priestess, her beloved mentor!
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Beelzebub
In the oratory dedicated to Beelzebub, a performance parodying the crucifixion of fucking Christ begins. Dozens of spectators crowd in front of the area occupied by the actors, eager to see what will unfold. But great care has been taken to place the children in the front row, right next to the stage, so they can see everything that’s happening and perfect their education in the debauchery and lust of their Dark God Satan.
Suddenly, the sound of a trumpet startles them, and then, from the back of the alcove, a young, completely naked sixteen-year-old with a slender, effeminate, and graceful body appears. He represents fucking Christ and carries a cross made of ebony. His head is completely shaved and gleaming.
He has been forced to wear a crown of thorns, and blood is dripping down his face and neck. He can be heard gasping and moaning. Right from the start, this greatly arouses the audience, men, women, and children alike. A muscular man dressed as a Roman soldier pushes him forward while insulting him.
“Come on, move it, you fucking slut Jesus!”
And he takes pleasure in whipping the young twink.
A wooden platform serves as Golgotha. “Jesus” has now reached the foot of the ramp and is struggling to climb it, his cross forcing his naked body — sweaty and covered in whip marks — to bend over. He is exhausted, weakened. He knows what fate awaits him. He has been trained by the director of the Satanic Temple since childhood, especially for this carefully planned spectacle long ago.
Once on the brightly lit stage, amid the atmosphere created by blaring heavy metal music, two other “Roman soldiers” come to relieve “Jesus” of his cross, which they lay flat on the floor. They then grab the young twink and lay him down on the cross. The spectators, driven by their perverse instincts, jostle one another as they crowd forward for a front-row view.
An attendant approaches with two hammers and a bucket of nails. The twink, knowing the fate that awaits him, remains lying on the cross without attempting to escape. The crowd hears him muttering, knowing he is spending his final minutes praying to his God, Satan. Each of the two soldiers takes a hammer and a long nail and begins to nail the victim’s hands, piercing his palms.
He lets out a hoarse, shrill scream that pierces the crowd and fills them with morbid excitement. The spectators derive great pleasure from this highly symbolic spectacle, a parody of the Passion of the fucking Christ. Next, “Jesus’s” feet are nailed together at the base of the cross. The crucified man screams in pain in his effeminate voice.
There are now four soldiers. They lift the cross and the crucified man and set it upright in the socket specially reserved for it. Everyone present can admire the beauty of the spectacle—this naked, youthful body exposed for all to see. At the top of the cross, a soldier has nailed the inscription, “Jesus of Nazareth, slut of the Jews.”
Shortly afterwards, the spectators hear the click-clack of high heels. A tall woman in her forties, dressed in a very gothic style, steps forward. She is tattooed from head to toe. She, too, has a shaved, shiny head, tattooed on top with a satanic pentagram. She is completely naked, but her tattoos adorn her magnificently.
Her large breasts hang over her belly. Her only item of clothing is a pair of stilettos with one-hundred-and-sixty-millimeter heels. Her plump lips and her fingernails and toenails are ink-black. She looks like a whore. She steps forward toward the crucified man.
“Ah, Jesus,” she exclaims, “My beloved child! Your mother Mary is so proud of you! What a gift our Master Satan has bestowed upon us today, my darling!”
“Ave Satana! Ave Satana! Ave Satana!” cries the crowd of the faithful in unison to celebrate their immense reverence for their Dark God Satan.
Jesus’s mother steps forward a little further, wraps her arms around her son’s legs and the cross, and begins to suck his already half-erect penis. She does so with all the lust she can muster, so much so that his erection reaches its peak. Shortly afterwards, the young Adonis ejaculates, moaning with pleasure despite the excruciating pain he feels in his feet and hands. The crowd is ecstatic. Many spectators openly masturbate while blaspheming and mocking the fucking Christ.
The gothic “Virgin Mary” then kneels and kisses her son’s bloodied feet, proceeding to suck his toes — whose nails are also painted black.
Oh, surprise! Next, two other condemned men destined for crucifixion step forward. They represent the two thieves, who will be hoisted onto their crosses on either side of the fucking Christ. They are, in fact, two twelve-year-old gay boys, who are also very effeminate. The soldiers crucify them without delay; they scream in pain, which excites the crowd even more. All the while, thunderous heavy metal music blares in the background.
And, to bring the show to a spectacular close, “Jesus” — magnificently directed by the Sacred Temple’s director — turns to the crucified man on his right and says, loud and clear.
“You, who were the most depraved and the most obedient to the laws and commandments of our God Satan, Master of the World, will have the immense privilege of standing at my right hand as well when we appear before Him in His eternal Hell!”
With these words, “Jesus” breathes his last breath, his chest pierced by the spear of one of the soldiers. He had played his role magnificently to the very end.
The “Virgin Mary” cries out in pain. Once the cross has been lowered and her “Jesus” taken down, she stretches out fully on top of him, moaning in anguish. The soldiers then take the crucified men — whom they have finished off with their spears — and the “Virgin Mary” to the temple workshops at the rear, where they will be executed, just as the sacrificial infant and his deceased mother were earlier that day in the first part of the monthly High Mass.
None of the participants in the monthly High Mass ceremonies is meant to survive. They sacrifice their lives for the glory of Satan and his subordinate gods and goddesses—to the immense joy of their loved ones.
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In the early hours of the morning, the last worshippers leave the Sacred Temple after purchasing their relics on the way out. Later that morning, the High Priestess will be very pleased with the success of the monthly High Mass and its highly popular program. The parish coffers are filled to the brim. She is sure to pray to her Master Satan to thank Him, on behalf of all the followers of the Master of the World. Lying on her back, legs spread apart, as she masturbates, she recites one of the many prayers (*) she knows by heart:
(*) Our Father, who art in Hades, Satanas be Thy name, Thy Kingdom has come! Thy Will be done, on Earth as it is Below. Stay not Thine hand from our oppressors, Yea, smite them hip and thigh! And give wealth and carnal pleasures to them who show kindness and generosity to us. Lead us to the tastiest of temptations, that we may have all our sinful gratifications! SATAN! Thine is the Kingdom, O Dark Lord, And Thy Black Flame Burneth Forever! Shehamforash! Avé Lucifer! Hail Satan!
And the High Priestess will have a female slave wash her in her bath and will spend the night in her bed with her, an eight-year-old girl who is already a slut and a whore, a graduate of the Children of Satan school. The young girl will savor her reward — her prize for excellence — with great fervor: spending the night with the High Priestess.
She will be overflowing with happiness, and when morning comes, grateful to Lucifer, she will plead with the utmost piety and fervor for the fires of Hell. Her prayer will be answered: she will be immersed in a large cauldron of boiling water blessed by the High Priestess, who will take pleasure in hearing her cries of pain.
THE END
wow so deliciously wicked and perverted. I love it